‘Wicked Part One’
Universal Pictures
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UPDATED, Friday PM: The Glicked weekend is currently looking like a $120 million opening for Universal’s Wicked after a $48.5M Friday plus previews, while Gladiator II is shaping up to $23.5M in Friday/previews turning into a $61M opening weekend at 3,573 locations.
Generally, midday projections are conservative, so we’ll see whether there’s a rush of ladies tonight, and families into tomorrow, for Wicked. Per Comscore/Screen Engine’s PostTrak, 71% women showed up last night. Gladiator II is more the date-night movie with 61% men and 39% women showing up to Thursday screenings.
For the month of November, Wicked currently ranks as the 10th biggest opening ever at the domestic box office, while also feasibly breaking the opening record for a movie based on a Broadway musical, defeating Stephen Sondheim’s Into the Woods ($31M). It’s also the third biggest opening of 2024 year to date, ahead of Warner Bros’ Beetlejuice Beetlejuice ($111M). Wicked Part One, before P&A, cost $150M. The Jon M. Chu-directed title is booked at 3,888 theaters and is currently expected to post a $30,800 per-theater average.
‘Wicked Part One’
Universal Pictures
PostTrak exits are strong for Wicked with 5 stars for general audiences and parents, and 4 1/2 stars for kids under 12. It’s a generational draw whereby the moms who saw it when hit Broadway in 2003 as children are now in their 30s taking their own kids to the movie. Wicked gets a 90% positive with a through-the-roof 80% definite recommend.
As we mentioned before, Gladiator II was always shaping up to be Ridley Scott’s biggest opening at the domestic box office, besting Hannibal ($58M). It’s also Denzel Washington’s best stateside start, ahead of American Gangster ($43.5M), which was also a movie he did with Scott. As we told you earlier in the week, the sequel, which got a head start ahead of Wicked abroad, already crossed the century mark at the overseas box office. Gladiator II PostTrak exits are also solid at 4 stars and a 77% positive.

‘Gladiator II’
Paramount Pictures
Meanwhile, Amazon MGM Studios’ Red One is seeing a second Friday of $3.4M, and a second weekend of $13.5M, -58%, for a running total of $53M at 4,032 sites. The $200M-$250M Dwayne Johnson and Chris Evans production crossed the $100M global mark today.
Angel Studios has a wide release this weekend, the period drama thriller Bonhoeffer. Pastor. Spy. Assassin at 1,900 sites, which is looking like $2.4M today and $4.8M for the weekend in fourth place. The Todd Komarnicki-directed and -written thriller follows Dietrich Bonhoeffer, who joins a deadly plot to assassinate Hitler, risking his faith and fate to save millions of Jews from genocide.
Fifth goes to Sony’s fifth weekend of Venom: The Last Dance with a $900K Friday and $4M weekend, taking its domestic tally to $133.8M.
FRIDAY AM UPDATED AFTER EXCLUSIVE: Universal is calling Wicked Part One‘s previews at $19.2 million.
That number for the Jon M. Chu-directed, Cynthia Erivo- and Ariana Grande-starring feature take of the Broadway musical is comprised of Monday and Wednesday fan screenings, plus Thursday’s previews that began at 2 p.m.
Broken down: Monday’s Amazon Prime screenings generated $2.5M at 750 theatres in the U.S. Wednesday advance screenings grossed another $5.7M from 2,000 theaters in the U.S. and Canada. Standard previews yesterday at 3,300 theaters yielded a total Thursday gross of $11M.
Just in terms of pure advance cash, Wicked is just under the $23M preview cash of Disney’s 2019 The Lion King, and Warner Bros’ Barbie at $22.3M (that gross wsa from both Wednesday and Thursday shows). It’s way ahead of Disney’s 2017 live-action adaptation of Beauty and the Beast ($16.3M). Updated gut from tracking this AM on Wicked is $120M+. The other factor to keep in mind on heavy female-skewing movies is that they can cave on a Saturday, e.g., Barbie was down 32% off Friday/previews and Hunger Games: Mockingjay Part 1 was off 26%. But there are exceptions, particularly on movies that have a family factor, e.g., Beauty and the Beast dipped -2% between its Friday to Saturday.
Paramount’s official number on the R-rated Gladiator II is $6.5M at 3,200 locations. That preview figure is right in the neighborhood of myriad recent sequels that delivered varying openings, including Kingdom of the Planet of the Apes ($6.6M previews, $58.4M 3-day), No Time to Die ($6.3M, $55.2M) and Bad Boys for Life ($6.3M, $62.5M). There’s also the Indiana Jones and the Dial of Destiny comp. Tracking’s updated forecast for the sequel epic directed by Ridley Scott and starring Paul Mescal and Denzel Washington is $59M-$66M. Rotten Tomatoes audience score is a healthy 84%.
RELATED: Jon M. Chu’s ‘Wicked’ Soundtrack: What Songs Are In ‘Part 1’?
Keeping tabs: The running cume for the 2024 box office through November 17 stood at $7 billion, $889M behind the same period in 2023 and 9% ahead of the same period in 2022 (the Top Gun: Maverick box office year). This is all according to Comscore. Starting this weekend through New Year’s Eve, can we clear another $2 billion to get us to last year’s $9B final?
PREVIOUS EXCLUSIVE: From New York City to Kansas and onward to the City of Angels, mobs are going to the movies tonight as Universal’s long-awaited Wicked Part One and Paramount’s Gladiator II square off for what is expected to be one of the year’s richest weekends. To date, the biggest weekend for all titles year-to-date was July 26-28, per Comscore, when Deadpool & Wolverine sent the entire marketplace to $285.3 million.

‘Wicked Part One’ sweeps in Kansas City, KS
Natalie Sitek
Early figures tonight — not attributed to any studios because they stay mum until tomorrow morning — is that Wicked is casting an estimated spell of $8M tonight alone. However, if you count Monday’s Amazon promotion previews and last night’s premium-format fan showings, that total preview tally flies to around $20M, I hear. As we told you previously, we heard presales were around $30M; however, once there’s a must-see title for female moviegoers, they’ll definitely book a date to the cinema. With walk-up business unpredictable, the outlook is wild for Wicked, with a three-day total estimated between $130M-$150M. The argument on the lower end of the projection is that the Jon M. Chu-directed, Marc Platt-produced movie is 2 hours and 40 minutes.
The biggest opening for any feature musical is Jon Favreau’s 2019 The Lion King at $191.7M; it had a runtime of 1 hour and 58 minutes. The biggest opening for a movie based on a Broadway musical is Into the Woods ($31M). Universal’s Mamma Mia! sequel, Mamma Mia! Here We Go Again, opened bigger at $34.9M, however, that wasn’t based on stage musical IP. Wicked has all the spells to overperform this weekend at 90% certified fresh with critics and a 99% audiences score on Rotten Tomatoes.
RELATED: ‘Wicked’ Movie Cast: Who Plays Who?
Words cannot to begin to detail the amount of marketing oomph Universal put behind this movie, and more amazingly, they did so on the feature adaptation of a Broadway musical — a genre with which Hollywood has a love-hate relationship. Wicked‘s marketing playbook makes Disney’s promotional plans for Star Wars: The Force Awakens look like some grassroots guerrilla stunt for a SXSW movie.

‘Wicked’ serious fans at the TCL Chinese Theatre Imax in Hollywood
TCL Chinese Theatre/Digney PR
Granted, the means by which Uni made its preview cash is apples to oranges compared with previous titles, however, in terms of pure dollars, Wicked‘s total cash is ahead of Beauty and the Beast‘s $16.3M as well as The Hunger Games: Mockingjay Part 1‘s $17M, both female-skewing tentpoles. Beauty and the Beast clocked at 2 hours and 9 minutes and opened to $174.7M, while Mockingjay 1 was 2 hours and 3 minutes and debuted to $121.8M.

‘Wicked’ fans at the TCL Chinese Theatre
TCL Chinese Theatre/Digney PR
Gladiator II, meanwhile is between $6.5M-$7M and that’s for Thursday alone. Duly note, Paramount didn’t have big preview days in advance, just a small 200-theater “Screen Unseen” sneak. Critics really have nothing to complain about with the Ridley Scott-directed sequel at 72% certified fresh on Rotten Tomatoes. Gladiator II‘s preview dough is akin to that of Indiana Jones and the Dial of Destiny ($7.2M Thursday) which got it to a $60.3M opening. That’s right around what Gladiator II is expected to conquer by Sunday.
As we always say on Thursday, take these estimates with a grain of salt. If the studio reports lower, it doesn’t necessarily mean a movie is without momentum.
RELATED: Where To Watch ‘Gladiator’: Is Ridley Scott’s 2000 Film Streaming?
What was clear from Deadline’s rounds at theaters tonight is if you want to get your wiccan on, ya dress up and head over to the TCL Chinese Theatre on Hollywood Boulevard, or you head to a place that’s no place like home: re Dorothy’s home in Kansas City, KS. Meanwhile, over at the AMC in Burbank, CA, which is usually any film’s highest-grossing cinema in the nation in a given weekend, the 6 p.m. Imax of Gladiator II was sold out.

Natalie Sitek
Natalie Sitek contributed to this report.
RELATED: All The ‘Wicked’ Press Tour Looks So Far: From Ariana Grande’s Glinda Pink To Cynthia Erivo’s Elphaba Green
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12 de março de 2026A Pró-Reitoria de Inovação e Tecnologia (Proint) da Ufac e o Serviço Brasileiro de Apoio às Micro e Pequenas Empresas do Acre (Sebrae-AC) realizam o Startup Day-2026, em 21 de março, das 8h às 12h, no espaço Sebrae-Lab, Centro de Convivência do campus-sede. O evento é dedicado à inovação e ao empreendedorismo, oferecendo oportunidades para transformar projetos em negócios de impacto real. As inscrições são gratuitas e estão abertas por meio online.
O Startup Day-2026 visa fortalecer o ecossistema, promover a troca de experiências, produzir e compartilhar conhecimento, gerar inovação e fomentar novos negócios. A programação conta com show de acolhimento e encerramento, apresentações, painel e palestra, além de atividades paralelas: carreta game do Hospital de Amor de Rio Branco, participação de startups de game em tempo real, oficina para crianças, exposição de grafiteiros e de projetos de pesquisadores da Ufac.
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10 de março de 2026Com a aceleração da transição para uma economia de baixo carbono e a reestruturação do setor elétrico em diversos países, cresce a discussão sobre como a infraestrutura digital pode sustentar, no longo prazo, a evolução da economia verde. Nesse contexto, a plataforma de energia baseada em blockchain Thryqenon (TRYQN) vem ganhando atenção por propor uma estrutura integrada que combina negociação de energia, gestão de carbono e confiabilidade de dados.
A proposta da Thryqenon vai além da simples comercialização de energia renovável. Seu objetivo é construir uma base digital para geração distribuída, redução de emissões e uso colaborativo de energia. À medida que metas de neutralidade de carbono se tornam compromissos regulatórios, critérios como origem comprovada da energia, transparência nos registros e liquidação segura das transações deixam de ser diferenciais e passam a ser requisitos obrigatórios. A plataforma utiliza registro descentralizado em blockchain, correspondência horária de energia limpa e contratos inteligentes para viabilizar uma infraestrutura verificável e auditável.
A economia verde ainda enfrenta obstáculos importantes. Existe descompasso entre o local e o momento de geração da energia renovável e seu consumo final. A apuração de emissões costuma ocorrer de forma anual, dificultando monitoramento em tempo real. Além disso, a baixa rastreabilidade de dados limita a criação de incentivos eficientes no mercado. A Thryqenon busca enfrentar essas lacunas por meio de uma estrutura digital que integra coleta, validação e liquidação de informações energéticas.
Na arquitetura da plataforma, há conexão direta com medidores inteligentes, inversores solares e dispositivos de monitoramento, permitindo registro detalhado da geração e do consumo. Na camada de transações, o sistema possibilita verificação automatizada e liquidação hora a hora de energia e créditos de carbono, garantindo rastreabilidade. Já na integração do ecossistema, empresas, distribuidoras, comercializadoras e consumidores podem interagir por meio de interfaces abertas, promovendo coordenação entre diferentes agentes do setor elétrico.
O potencial de longo prazo da Thryqenon não está apenas no crescimento de usuários ou no volume de negociações, mas em sua capacidade de se posicionar como infraestrutura de suporte à governança energética e ao mercado de carbono. Com o avanço de normas baseadas em dados e reconhecimento internacional de créditos ambientais, plataformas transparentes e auditáveis tendem a ter papel relevante na transição energética e no financiamento sustentável.
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9 de março de 2026A Ufac inaugurou a campanha internacional Banco Vermelho, símbolo de conscientização sobre o feminicídio. A ação integra iniciativas inspiradas na lei n.º 14.942/2024 e contempla a instalação, nos campi da instituição, de três bancos pintados de vermelho, que representa o sangue derramado pelas vítimas. A inauguração ocorreu nesta segunda-feira, 9, no hall da Reitoria.
São dois bancos no campus-sede (um no hall da Reitoria e outro no bloco Jorge Kalume), além de um no campus Floresta, em Cruzeiro do Sul. A reitora Guida Aquino destacou que a instalação dos bancos reforça o papel da universidade na promoção de campanhas e políticas de conscientização sobre a violência contra a mulher. “A violência não se caracteriza apenas em matar, também se caracteriza em gestos, em fala, em atitudes.”
A secretária de Estado da Mulher, Márdhia El-Shawwa, ressaltou a importância de a Ufac incorporar o debate sobre o feminicídio em seus espaços institucionais e defendeu a atuação conjunta entre universidade, governo e sociedade. Segundo ela, a violência contra a mulher não pode ser naturalizada e a conscientização precisa alcançar também a formação de crianças e adolescentes.
A inauguração do Banco Vermelho também ocorre no contexto da aprovação da resolução do Conselho Universitário n.º 266, de 21/01/2026, que institui normas para a efetividade da política de prevenção e combate ao assédio moral, sexual, discriminações e outras violências, principalmente no que se refere a mulheres, população negra, indígena, pessoas com deficiência e LGBTQIAPN+ no âmbito da Ufac em local físico ou virtual relacionado.
No campus Floresta, em Cruzeiro do Sul, a inauguração do Banco Vermelho contou com a participação da coordenadora do Centro de Referência Brasileiro da Mulher, Anequele Monteiro.

Participaram da solenidade, no campus-sede, a pró-reitora de Desenvolvimento e Gestão de Pessoas, Filomena Maria Cruz; a pró-reitora de Graduação, Ednaceli Damasceno; a pró-reitora de Pesquisa e Pós-Graduação, Margarida Carvalho; a coordenadora do projeto de extensão Infância Segura, Alcione Groff; o secretário de Estado de Saúde, Pedro Pascoal; a defensora pública e chefe do Núcleo de Promoção da Defesa dos Direitos Humanos da Mulher, Diversidade Sexual e Gênero da DPE-AC, Clara Rúbia Roque; e o chefe do Centro de Apoio Operacional de Proteção à Mulher do MP-AC, Victor Augusto Silva.
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