ACRE
Knicks’ OG Anunoby has ascended to an All-Star level after career-high 40 points in win over Nuggets
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1 ano atrásem
OG Anunoby is known for his defense. That’s what tends to happen when you make an All-Defensive team and win a steals title, and he hasn’t missed a beat since joining the New York Knicks. He leads all perimeter players with 7.4 contested shots per game, and he’s sixth among all NBA players with 3.9 deflections per game. Stop the conversation right here and Anunoby is already more than earning his keep in New York, but he’s always felt he deserved more credit.
“I always prided myself on being a two-way player, not just a defender,” Anunoby recently told The Athletic’s James Edwards.
Sure, a small facet of his offense would be lumped into the description when he was listed among the NBA’s elite 3-and-D players, but it remained extremely reductive. Anunoby has long been capable of more, and reporting throughout the end of his tenure with the Toronto Raptors suggested he’s been aiming to prove it.
Monday was an exclamation point on Anunoby’s season-long prove-it tour. In a 145-118 decimation of the Denver Nuggets, Anunoby scored a career-high 40 points on 16-of-23 shooting. Those numbers weren’t just accumulated through the sort of traditional role player shots that have been expected of him. Of his five 3-pointers, only two came in the corners. That has more or less held with his overall rate this season.
Entering this season, 43.4% of his 3s came in the corners, the shortest and easiest triples on the court. When he arrived in New York last season, that number bolted up to 58.7% in his 23 regular-season games with the Knicks. He’s down to a 34.7% corner rate this season. On Monday, he shot 11-of-16 inside of the arc, killing Denver in the paint and as a midrange shooter. That rim rate has soared since he became a Knick. In Toronto, only 31.5% of his shots came within three feet of the basket. He’s just a hair below 35% as a Knick.
That versatility as a shot maker has been on display all season. Pick an area of the court and his heat map is bright red. Anunoby is making over 70% of his restricted area attempts, nearly 42% of his midrange looks and almost 43% of his above-the-break 3s. He’s on pace to set a new career-high in in free-throw attempts, and he’s even recovered as many loose balls on offense as Josh Hart, who is perpetually among the league leaders on that front. The best part? He’s doing all of this without dribbling. On average, he dribbles only 1.07 times per touch, trailing only Karl-Anthony Towns, a center, within the Knicks’ core rotation, and he holds the ball on average for just 1.92 seconds per touch, the lowest figure among that group.
That’s the beauty of this low-maintenance masterpiece of a season Anunoby is having on offense. The Knicks don’t need to call plays for him. He’s taken only four shots out of isolation all season, according to Synergy Sports. Everything is within the flow of the offense, and everything is working. Defenses overcommitting to Towns and Jalen Brunson? Great, Anunoby is averaging 1.68 points per possession off of cuts. That ranks in the 90th percentile league-wide. He also ranks in the 90th percentile in terms of post-up efficiency, scoring 1.278 points per possession there because he almost exclusively uses the post to punish the mismatches his more famous teammates create. He’s running the court so well that he leads the Knicks in fast-break points comfortably. He doesn’t dribble much, but if you overcommit to a closeout behind the arc? He’ll put the ball on the deck and dunk your poor, out-of-position center into oblivion.
These aren’t the traits of a player who can be defined exclusively by his defense, and that’s because Anunoby has evolved well beyond that. He’s not even a 3-and-D player anymore. It’s time to start fitting him for a new, loftier label: All-Star.
The Knicks already have two of those in Brunson and Towns, but Anunoby has been more consistent than either this season. Their defensive vulnerabilities have been a major problem for the 23rd-ranked Knicks. Anunoby is one of the few players holding them together at all on that front. Those two may create the bulk of New York’s shots, but Anunoby is finishing more than his fair share of them, and his ability to do so without demanding touches or play calls that might otherwise take the stars out of their rhythm is vital.
The raw numbers will work against Anunoby on the All-Star front. It’s rare that 19-point scorers make the cut, but not unprecedented. This decade alone, there have been 15 All-Stars chosen averaging fewer points than Anunoby currently is. Almost all of them, like Anunoby, were defensive stars who found ways to thrive in low-usage offensive roles. Most of those players were centers, but the East’s crop of wings is relatively weak so far this season.
Jaylen Brown is off to his least efficient shooting start ever. Paul George has barely played and Khris Middleton hasn’t even debuted. Paolo Banchero’s injury absence may take him out of the running. The only locks among Eastern Conference forwards at the moment are probably Jayson Tatum, Giannis Antetokounmpo and Evan Mobley. Anunoby has compelling arguments over just about everyone else.
Whether he gets the call in February or not, Anunoby has, if nothing else, shed any accusations that he is merely a defender. The Knicks are obviously thrilled with what he brings on that end of the floor every night, but so far this season, he’s been just as important to one of the league’s best offenses as well.
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Ufac participa de lançamento de projeto na Resex Cazumbá-Iracema — Universidade Federal do Acre
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3 dias atrásem
7 de abril de 2026A Ufac participou do lançamento do projeto Tecendo Teias na Aprendizagem, realizado na reserva extrativista (Resex) Cazumbá-Iracema, em Sena Madureira (AC). O evento ocorreu em 28 de março e reuniu representantes do poder público, comunidade acadêmica e moradores da reserva.
Com uma área de aproximadamente 750 mil hectares e cerca de 500 famílias, a Resex é território de preservação ambiental e de produção de saberes tradicionais. O projeto visa fortalecer a educação e promover a troca de conhecimentos entre universidade e comunidade.
O presidente da reserva, Nenzinho, destacou que a iniciativa contribui para valorizar a educação não apenas no ensino formal, mas também na qualidade da aprendizagem construída a partir das vivências no território. Segundo ele, a proposta reforça o papel da universidade na escuta e no reconhecimento dos saberes locais.
O coordenador do projeto, Rodrigo Perea, sintetizou a relação entre universidade e comunidade. “A floresta ensina, a comunidade ensina, os professores aprendem e a Ufac aprende junto.”
Também estiveram presentes no lançamento os professores da Ufac, Alexsande Franco, Anderson Mesquita e Tânia Mara; o senador Sérgio Petecão (PSD-AC); o prefeito de Sena Madureira, Gerlen Diniz (PP); e o agente do ICMBio, Aécio Santos.
(Fhagner Silva, estagiário Ascom/Ufac)
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Educação Física homenageia Norma Tinoco por pioneirismo na dança — Universidade Federal do Acre
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3 dias atrásem
7 de abril de 2026Os professores Jhonatan Gomes Gadelha e Shirley Regina de Almeida Batista, do curso de Educação Física da Ufac, realizaram a mostra de dança NT: Sementes de uma Pioneira, em homenagem à professora aposentada Norma Tinoco, reunindo turmas de bacharelado e licenciatura, escolas de dança e artistas independentes. O evento ocorreu na noite de 25 de março, no Teatro Universitário, campus-sede, visando celebrar a trajetória da homenageada pela inserção e legitimação da dança no curso.
Norma recebeu uma placa comemorativa pelos serviços prestados à universidade. Os alunos do curso, André Albuquerque (bacharelado) e Matheus Cavalcante (licenciatura) fizeram a entrega solene. Segundo os organizadores, os anos de dedicação da professora ao curso e seu pioneirismo jamais serão esquecidos.
“A ideia, que ganhou corpo e emoção ao longo de quatro atos, nasceu do coração de quem viveu de perto a influência da homenageada”, disse Jhonatan Gomes Gadelha, que foi aluno de Norma na graduação. Ele contou que a mostra surgiu de uma entrevista feita com ela por ocasião do trabalho dele de conclusão de curso, em 2015. “As falas, os ensinamentos e as memórias compartilhadas por Norma naquele momento foram resgatadas e transformadas em movimento”, lembrou.
Gadelha explicou que as músicas que embalaram as coreografias autorais foram criadas com o auxílio de inteligência artificial. “Um encontro simbólico entre a tradição plantada pela pioneira e as ferramentas do futuro. O resultado foi uma apresentação carregada de bagagem emocional, autenticidade e reverência à história que se contava no palco.”
Mostra em 4 atos
A professora de Educação Física, Franciely Gomes Gonçalves, também ex-aluna de Norma, foi a mestre de cerimônias e guiou o público por uma narrativa que comparava a trajetória da homenageada ao crescimento de uma árvore: “A Pioneira: A Raiz (ato I), “A Transformadora: O Tronco” (ato II), “O Legado: Os Frutos” (ato III) e “Homenagem Final: O reconhecimento” (ato IV).
O ato I trouxe depoimentos em vídeo e ao vivo, além de coreografias como “Homem com H” (com os 2º períodos de bacharelado e licenciatura) e “K Dance”, que homenageou os anos 1970. O ex-bolsista Kelvin Wesley subiu ao palco para saudar a professora. A escola de dança Adorai também marcou presença com as variações de Letícia e Rayelle Bianca, coreografadas por Caline Teodoro, e o carimbó foi apresentado pelo professor Jhon e pela aluna Kethelen.

O ato II contou com o depoimento ao vivo de Jhon Gomes, ex-aluno que seguiu carreira artística e acadêmica, narrando um momento específico que mudou sua trajetória. Ele também apresentou um solo de dança, seguido por coreografias da turma de licenciatura e uma performance de ginástica acrobática do 4º período.
No ato III foi exibido um vídeo em que os atuais alunos do curso de Educação Física refletiram sobre o que a dança significa em suas formações. As apresentações incluíram o Atelier Escola de Dança com “Entre o que Fica e o que Parte” (Ana Fonseca e Elias Daniel), o Estúdio de Artes Balancé com “Estrelas” (coreografia de Lucas Souza) e a Cia. de Dança Jhon Gomes, com outra versão de “Estrelas”. A escola Adorai retornou com “Sarça Ardente”, coreografada por Lívia Teodoro; os alunos do 2º período de bacharelado encerraram o ato.
No ato IV, após o ministério de dança Plenitude apresentar “Raridade”, música de Anderson Freire, a professora Shirley Regina subiu ao palco para oferecer palavras à homenageada. Em seguida, a mestre de cerimônias convidou Norma Tinoco a entrar em cena. Ao som de “Muda Tudo”, os alunos formaram um círculo ao redor da professora, cantando o refrão em coro.
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I FÓRUM ESTADUAL "Autismo, Cultura, Mercado de Trabalho e Políticas Públicas no Acre."
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4 dias atrásem
6 de abril de 202609 e 10 de ABRIL
Local: Teatro Universitário da UFAC
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Local: Anfiteatro Garibaldi Brasil UFAC






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