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Agatha All Along Episode 4 Review

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This review contains full spoilers for Agatha All Along Season 1, Episode 4.

Episode four of Marvel’s Agatha All Along sees Agatha (Kathryn Hahn) and her coven continue down the Witches’ Road to face another deadly magical trial, but this time around there are a few bumps in the road. Those imperfections mean that the latest enchanted escape room, focused on Alice Wu-Gulliver (Ali Ahn), ends up being a bit of a disappointment. Luckily, the episode is filled to the brim with colorful characters who carry the show with their big personalities, magical mysteries, and juicy drama, and so Agatha All Along proves it can still be a devilishly fun watch even when it’s not firing on all cylinders.

With the poisonous passing of Mrs. Davis last episode, the first order of business is to fill her vacant slot with a new Green Witch. The group gets more than they bargained for when they unwittingly conjure up Agatha’s arch nemesis, Aubrey Plaza’s Rio Vidal, in the gnarliest summoning sequence I’ve ever seen (complimentary). Coming up from the earth like that certainly cements her title as T̸̛͎̹̀͘H̴̢̧̛͇̘̉͛̉͜É̴̢̩̣ ̵̨̡̭̲̠̑̿̂̀G̷̪̝͌R̵͎̪̻̍̐̕E̷̢̗̖͉̒̅̉E̷̯̠͇̪̍̀̕N̸͎̲͎̭̾͗͠ͅ ̵̨͇̠͔̒̚W̸͉̓̈̑̏I̷̗̰̞̍T̴̮̼̣̦͕̈C̴̤͛H̵̠̺̃̌̚ͅͅ.

The show was sorely missing Rio’s unique brand of psycho-sexy antagonism, so it feels good to have her back in the mix and making everyone uncomfortable. That said, for a witch who acts so unhinged and brandishes a knife while talking about how she’s ready to cause some damage, Rio is surprisingly (and disappointingly) well-behaved in this episode. She even helps the gang out, no questions asked, by playing the drums. There is the moment where Agatha tries to turn the group against Rio by broadcasting their conversation, but the clunky execution has the opposite effect and makes Agatha sound way worse than Rio. Ultimately, Rio is the closest thing we have to a villain in this show, so it would be more satisfying to see she has some bite to back up her bark.

For the trial, the coven enters a ‘70s-era recording studio and gets a groovy makeover. It’s here they must overcome Alice’s family curse by learning the truth behind her mother’s musical career and then face a fiery demon head-on with the power of music. I like the ideas explored here but not how they are executed. All of the details of the generational curse are overexplained yet the concept is still a bit confusing. Also, as I said in my last review, Alice’s character is the most underdeveloped of the group, so it’s hard to feel invested in her big reveals and personal breakthroughs. It doesn’t help matters that Agatha takes lead vocals when it comes time to jam out. Shouldn’t Alice have taken the mic since it was her mother’s song and this trial was her trial?

Alice’s character is the most underdeveloped of the group, so it’s hard to feel invested in her big reveals and personal breakthroughs.

As for the song itself, the wonderfully campy performance of the new ‘70s version of the ballad is great, with some high stakes and lots of fire to keep things interesting. Part of me is underwhelmed with the song being just a new take on a tune we’ve already heard, rather than something brand new, but this version having new story elements for Alice and her mother helps make up for it.

With Mrs. Davis gone, Patti LuPone’s Lilia Calderu has quickly become the new scene-stealer. Case in point: “Well whaddya know? Zils!” Hilarious. Not only that, she has a big heart and a sharp mind, so she brings a much-welcome emotional weight to the story. This is an episode about carrying the pain of those who came before you, and we see how much she bears the burden of what happened to all of the women who were executed during the Salem Witch Trials. Here’s hoping her trial is up next, because I’m dying to find out what’s going on with Lilia when she unknowingly communicates with those from beyond the mortal plane.

While the trial is a bit of a bummer, the drama around the campfire is excellent. It’s clear to see that Agatha has come to care deeply for Teen, presumably because she thinks he is her long lost son. Agatha was barely phased by the death of Mrs. Davis, but she starts crying and fretting when Teen is badly wounded. It’s rare to see her display even a shred of care for anyone besides herself, so that’s how you know Teen really does mean something to her. If it wasn’t obvious already from their intense on-screen chemistry, it’s also been made clear that Agatha and Rio have a romantic history – one that was seemingly upended by Rio, although there’s obviously more to learn about Agatha’s role in that incident. Agatha tends to have her heart guarded at all times, so it’s been a treat watching her interact with these two characters who threaten to break down her defenses. “Agatha, that boy isn’t yours.” Ouch!

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ACRE

PPG em Letras promove seminário para discutir internacionalização — Universidade Federal do Acre

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2026.09.18 Seminário PPGLI (2).jpg

O programa de pós-graduação em Letras: Linguagem e Identidade (PPGLI), da Ufac, realizou seminário para compartilhamento de experiências de internacionalização de seu curso de doutorado e apresentação dos relatórios de estágio e relatos de vivência de cinco doutorandas que retornaram de universidades no exterior. O evento ocorreu na sexta-feira, 18, no auditório do Bloco dos Mestrados, campus-sede.

Professores e estudantes discutiram a consolidação da política de internacionalização do PPGLI, visando à busca pela nota de excelência acadêmica junto à Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (Capes). A avaliação da pós-graduação no país varia em uma escala de 1 a 7, na qual os extratos 6 e 7 representam programas de nível internacional.

As cinco doutorandas realizaram intercâmbios de pesquisa em instituições de referência na Europa e na América Latina, abrangendo universidades de Portugal, da França, do México e do Chile. O coordenador do PPGLI, Gerson Albuquerque, disse que isso consolida a produção bibliográfica e técnica em esfera global, incentivando outros alunos a perseguirem o estágio no exterior.

“Para alcançar a excelência, exige-se maturidade temporal, que completaremos em 2027 com oito anos de formação de doutores e uma inserção internacional consolidada”, acrescentou. “O doutorado sanduíche é fundamental para o amadurecimento intelectual dos pesquisadores e para a celebração de convênios que promovam a mobilidade docente e discente.”

A professora e pesquisadora Raquel Ishii ressaltou que a internacionalização do PPGLI dialoga diretamente com as características territoriais e culturais da Amazônia Sul-Ocidental. “Nosso programa atua fortemente com literatura, oralidade e a pluralidade linguística da região, que abriga 16 povos indígenas. Internacionalizar e nacionalizar a produção acadêmica feita no Acre fortalece a agenda científica nacional sobre a diversidade cultural e linguística amazônica.”

(Fhagner Soares, estagiário Ascom/Ufac)



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Painel do Inova Amazônia aborda empreendedorismo feminino — Universidade Federal do Acre

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Painel Empreendedorismo Feminino, Summit-2026 (2).jpeg

O painel “Empreendedorismo Feminino: Mulheres que Movem a Amazônia” ocorreu no âmbito da programação do  Inova Amazônia Summit-2026, nessa quinta-feira, 17, no auditório Curupira, campus-sede da Ufac. Empreendedoras e pesquisadoras debateram inovação, perspectivas de mercado na Amazônia, superação de barreiras estruturais e liderança feminina na consolidação de negócios sustentáveis.

A discussão foi moderada pela analista Valéria Vidal, do Serviço Brasileiro de Apoio às Micro e Pequenas Empresas (Sebrae) nacional. Participaram do painel Mareílde Freire (Saboaria Rondônia), Pâmela Pimentel (Amazonzyme), Márcia Werle (Bioassu Bioindústria), Valda Gonçalves (Engenho), Clarice Maia (Antibiose) e Ana Euler (diretora da Embrapa).

O Summit-2026 é promovido pelo Sebrae-AC, com palestras e oficinas em diversos espaços do campus-sede. O evento começou na quinta-feira, 17, e prossegue até sábado, 19.

(Camila Barbosa, estagiária Ascom/Ufac)



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Do Luto à Luta’ em 22/10 — Universidade Federal do Acre

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Doc Autismo-Do Luto à Luta (2).jpg

O programa “Mãepeutas: Vozes Plurais, vinculado à Pró-Reitoria de Extensão e Cultura, da Ufac, lança, em 22 de outubro, às 18h, na Biblioteca Pública Estadual, o documentário “Autismo: Do Luto à Luta”, dirigido por Felipe Almeida.

O filme foi feito a partir da coleta de depoimentos de histórias reais de luta, dor e superação. Pretende dar voz a mães atípicas do contexto acreano e mostrar seus desafios em meio à luta que é cuidar e educar uma criança com transtorno do espectro autista.



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