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AI robot’s portrait of Alan Turing that ‘challenges what it is to be human’ sets record, selling for $1.08 million

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CNN
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An AI robot’s painting of British computer scientist and codebreaker Alan Turing has sold for $1.08 million, becoming the most valuable artwork by a humanoid robot ever to change hands at auction and raising new questions about the role of artificial intelligence in art.

The sale price far exceeded the pre-auction estimate of $120,000-$180,000, with the work attracting 27 bids before going to an undisclosed buyer, according to Sotheby’s, which handled the sale in New York.

The painting, titled “AI God: Portrait of Alan Turing,” was created by Ai-Da, a humanoid robot artist with a black bob and robotic arms, which communicates using large language models and was invented by British gallerist Aidan Meller.

Turing’s work laid the foundations for the development of early computers and helped the Allies decrypt German communications during World War II. He took his own life in 1954 after being convicted under homophobic Victorian-era laws and subjected to chemical castration.

Eight decades after Turing predicted the rise of computers and AI, Meller hopes that Ai-Da and its artworks can act as a “kind of mirror to where we’re going.”

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AI humanoid robot defends criticism that she can’t be artistic

“It seems quite a timely moment for reflection on that dawning reality of what’s actually happening in society,” he told CNN on Friday.

“We’re going into a post-human world where decision-making is not human, it’s increasingly algorithmic because we’ve seen it’s reliable … Ai-Da’s artwork is really showing you the potential future of where we could go,” he added.

The staggering sum that Ai-Da’s artwork fetched at auction marks a change in the way that AI art is viewed, and valued, on the art market – a shift that Meller likens to the invention of the camera.

“There’s a slightly apocalyptic view of AI art wiping out everybody. The camera changed the art world enormously … I feel it’s sort of similar, (but) it’s more than that .. because AI can be done in lots of different ways where the camera was just a physical representation from light so it’s more singular,” he said.

Not everyone sees this as such a milestone, however. For Alastair Sooke, chief art critic of British newspaper The Telegraph, it represents only a “very sophisticated, dressed-up version of those periodic news stories about farmyard animals that can supposedly paint like Pablo Picasso.”

Ai-Da was launched in 2019 after Meller collaborated with a robotics company based in Cornwall, England to build it.

Ai-Da was created by Aidan Meller.

“It challenges what it is to be human, it’s bigger than just the art question,” said Meller. “I think Ai-Da is a foreshadowing of where a human could go … so (she) is very unsettling by her very existence but she’s only symptomatic of what’s happening, she’s not doing it, she’s just a symbol of it.”

Before starting its artworks, Ai-Da discusses with its creators the things it would like to paint. “In this instance, we had a discussion with her about ‘A.I. for good’ which led to Ai-Da bringing up Alan Turing as a key person in the history of A.I. that she wanted to paint,” said Meller in a statement.

After answering questions about the style, content, tone and texture of the painting, Ai-Da used cameras in its eyes to look at a picture of Turing and created preliminary sketches of him. It then painted 15 individual paintings of parts of Turing’s face, each of which are different, depending on how the algorithm interprets the photo.

Each one took the robot around six to eight hours and it was then asked how to assemble them. In the end, it chose three, as well as a painting of Turing’s Bombe Machine, the name for the codebreaking device he built, which appears in the background.

Since Ai-Da’s arm can only paint on a small, 11.7 x 16.5-inch canvas, the final image is printed onto a bigger canvas using a 3D textured printer. Sotheby’s noted that “there is no change to the underlying image in this process.”

The way in which Ai-Da paints has changed since it was first created, Meller said, as the agency it has is “creeping up… and up,” and its technology is constantly updated to remain at the cutting edge.

“The key value of my work is its capacity to serve as a catalyst for dialogue about emerging technologies,” Ai-Da said in a statement.

“’AI God,’ a portrait of pioneer Alan Turing, invites viewers to reflect on the god-like nature of AI and computing while considering the ethical and societal implications of these advancements. Alan Turing recognised this potential, and stares at us, as we race towards this future,” the robot added.

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SAE-CZS — Universidade Federal do Acre

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SAE-CZS — Universidade Federal do Acre

A Diretoria Geral do Campus Floresta (DG-Camp), por meio do Setor de Assistência Estudantil (SAE-CZS), comunica a suspensão do Restaurante Universitário nesta segunda-feira, 28, para o Campus Floresta, em decorrência do ponto facultativo decretado pela Reitoria por meio da Portaria n.º 3.914, de 24/09/2026, em virtude da celebração do Aniversário do município de Cruzeiro do Sul (AC).
Contamos com a compreensão de toda a comunidade acadêmica.

 



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Gestão da Ufac realiza visita ao laboratório Charles Mérieux — Universidade Federal do Acre

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2026.09.24 Visita ao laboratório Charles Mérieux (2).jpg

A Ufac realizou uma visita institucional ao Centro de Infectologia Charles Mérieux (CICM). A agenda reuniu a gestão superior da universidade, pesquisadores da Fundação Oswaldo Cruz (Fiocruz) e representantes do centro para alinhar propostas de cooperação que permitam o desenvolvimento de pesquisas avançadas e projetos de inovação em saúde pública nas instalações do laboratório. O encontro ocorreu nessa quinta-feira, 24.

O coordenador de Gestão e Infraestrutura do CICM, George Dobré, apresentou as propostas operacionais para viabilizar o uso da infraestrutura laboratorial por equipes de pesquisadores e estudantes da Ufac. A iniciativa visa unificar o potencial de pesquisa acadêmica da universidade com a capacidade tecnológica e de vigilância do centro.

A reunião contou com a presença do reitor Josimar Ferreira; do pró-reitor de Pesquisa e Pós-Graduação, Dionatas Meneguetti; do diretor de Pesquisa da Ufac, Thiago Augusto da Cunha; do diretor-geral da Fiocruz-RO, Jansen Medeiros; e dos pesquisadores da Fiocruz, Gabriel Melim e Deusilene Vieira, que também atua como coordenadora de Pesquisa, Vigilância e Educação do CICM.

(Camila Barbosa, estagiária Ascom/Ufac)



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Membros da Academia Acreana de Letras visitam a Ufac — Universidade Federal do Acre

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2026.09.25 Visita da Academia Acreana de Letras (2).JPG

O reitor da Ufac, Josimar Ferreira, recebeu membros da Academia Acreana de Letras (AAL), que vieram parabenizá-lo pelo mandato e iniciar as tratativas para fortalecimento da parceria institucional, com incentivo à cultura, à literatura e à extensão acadêmica no Estado. A visita de cortesia ocorreu nesta sexta-feira, 25, na sala de reuniões da Reitoria, campus-sede.

As instituições definiram como encaminhamento a elaboração de um termo de cooperação técnica para aproximar as ações da AAL dos cursos de graduação e das pró-reitorias, com destaque para a Pró-Reitoria de Extensão e Cultura. A parceria busca integrar a universidade aos projetos culturais da academia, além de apoiar a realização de um grande evento comemorativo ao aniversário da AAL, previsto para este ano, entre 29 de outubro e 17 de novembro.

“Recebo a Academia Acreana de Letras com muita gratidão. Vamos aproximá-la dos nossos processos formativos e das nossas ações de extensão”, disse o reitor Josimar Ferreira. “A universidade já planeja lançar um edital na área de cultura por meio da Agência de Inovação e a academia terá um papel central nesse contexto.”

O presidente da AAL, José Dourado de Souza, ressaltou a relevância da aproximação com a Ufac. “Ficamos muito felizes em prestar essa homenagem ao reitor Josimar, uma pessoa de muita experiência e aberta ao diálogo. A academia busca esse apoio institucional e de materiais para continuar promovendo eventos culturais e ações nas escolas.”

(Fhagner Soares, estagiário Ascom/Ufac)



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