NOSSAS REDES

ACRE

How Julius Randle could take Anthony Edwards, Wolves to new heights

PUBLICADO

em

Anthony Edwards and Julius Randle have led the Wovles to a 4-3 start this season.

Get NBA League Pass TODAY >

CHICAGO – One of the wildfire angles in the NBA last season was Anthony Edwards as some sort of mythical offspring or the second coming of Michael Jordan. A few innocent observations about facial resemblance and athletic similarities got fanned quickly into burning questions of how rapidly the Minnesota Timberwolves’ shooting guard could become a legit Kia MVP candidate, a “face of the league” and, sooner rather than later, a champion.

What went unasked, though, was this: If Edwards can be this millennium’s “Jordan,” who on this Timberwolves team will be his “Scottie Pippen?” For “Ant” truly to be like Mike, someone was going to have to be like Scottie.

(Please know that we’re not looking for a literal interpretation of Pippen, a Hall of Famer and one of the most versatile performers and tenacious defenders in NBA history. The question is simply, who will be Robin to Edwards’ Batman?)

After trading away Karl-Anthony Towns to New York, all eyes are on the acquisition they got in return: Julius Randle. The spotlight turns to Chicago tonight (8 ET, NBA TV) as the Wolves hope to kickstart a winning streak.

“I’ll let you guys put the expectations out there,” Randle told NBA.com after a recent practice at the Wolves facility in downtown Minneapolis. “I just told him from Day 1, I’m here to help him. He’s a special, special talent. An incredible player. He’s so young and he has so much he can continue to get better.”

Certainly, it would be indelicate for Randle to nominate himself for the role. He’s the new guy on an accomplished team, eager to fit in and just help. He doesn’t have the defensive chops to team with Edwards as the anywhere-on-the-floor stoppers the Bulls’ duo were.


‘It’s been great from the beginning’

Randle does have some “point forward” skills and, still a few weeks shy of his 30th birthday (Nov. 29), Randle is in or near his prime. He has a coach in Chris Finch he fully respects and responds to, too, dating back to the single 2018-19 season they shared in New Orleans when the 6-foot-8, 250-pound Randle was still finding his way through the league and Finch was Alvin Gentry’s offensive coordinator with the Pelicans.

“He’s the same player, in terms of his skill,” Finch said before the Wolves faced Dallas last week in a Western Conference finals rematch. “He has a little better idea of what he’s going to do. A lot of young players put their heads down and go. He certainly has the confidence and maturity of somebody who has accomplished a lot.

“When we had him in New Orleans, it was a contract year. Like a lot of young players, he was anxious about his future. Now he has proven who he is. Very mature and willing to do anything to win right now.”

Comfortable on the brink of training camp that Finch valued Randle’s game and knew how to deploy him, Tim Connelly, Minnesota’s president of basketball operations, hit the button that sent Towns to New York for Randle and guard Donte DiVincenzo.

The team had just spent the better part of two seasons melding perennial Kia Defensive Player of the Year Rudy Gobert to Towns in an ambitious throwback “Twin Towers” alignment. The process had been fraught with doubt, teases, and frustration until it clicked in full last spring and propelled the Wolves to the West finals.

That matched the longest postseason run in franchise history. Their 56 regular-season victories were their second-most (58 in 2003-04). Towns’ work as a 3-point proficient power forward earned his fourth All-Star appearance. Gobert won his fourth DPOY. Edwards blazed across the NBA sky. And Finch landed third in Coach of the Year balloting.

To blow up that combo as they seemingly were hitting their stride felt, well, a little impulsive. Or driven by payroll, cap management and luxury tax implications rather than what the team had done and still could do on the court.

That’s where Finch, Randle and their 365 days together in New Orleans came in.

“It’s been great from the beginning,” Randle said. “Once the trade happened — other than the shock of it and figuring out our living situation in Minnesota with the move and kids — as far as the basketball aspect, there was no other coach in the league I wanted to play for than Finch. I love Finch that much and trust his ability that much.”

Imagine being young, taking a new job in an unfamiliar city, but having the comfort of a boss familiar from a previous stop.

“I don’t know, we hit it off right away,” Randle said. “He made it simple for me and, up until that point, I had the best year of my career. I’ve had All-Star [selections] and things since then, but I feel like I played my best basketball under him.

“He gave me a lot of opportunity. He put me in great situations. As a young player, he really built my confidence up. … He’s been a true essential.”


Wolves, Randle try to fit in together

Injuries and some criticism for who or what he wasn’t had stuck to Randle with previous teams. The Lakers drafted him with the No. 7 pick in 2014, but didn’t have success, then renounced his contract rights to clear space for LeBron James in 2018. Randle signed a one-year contract with the Pelicans, blossomed with Finch’s tutelage, developed a 3-point game and earned the NBA’s Most Improved Player Award in 2021.

From there it was on to New York, where he established himself as an All-Star in 2021, ’23 and ’24, until a shoulder injury shut him down midway through last season.

Finch brought Minnesota media and fans up to speed quickly on Randle’s value, emphasizing his abilities on the perimeter and in the open court to complement his old-school, back-to-the-basket game.

Said Randle: “I’ve always believed in being inside-out. I know the game is trending toward more 3-pointers, but my bread and butter always has been being able to get to the rim. Dominate the paint.

“As the years passed, I’ve been able to develop to where I can shoot outside jump shots and 3-pointers. But that’s not what I rely on. Just knowing who I am and playing to my strengths, that usually opens up the rest of my game.”

At 4-3, the Wolves are adjusting to their new manpower and rotations. Their defensive ranking has slipped from No. 1 last season to No. 12, their net rating from 6.3 to 2.5.

Randle has delivered as expected, though. At 21.4 ppg, 6.4 rpg and 4.7 apg, he’s at or above most of his career numbers. And at 46.4% from the arc, he — and DiVincenzo, and with Edwards seeking more 3-pointers — have made up for Towns’ lost 3-pointers.

It took one game, and Randle’s tentative play in the opener against the Lakers in L.A., for the Wolves to figure out how to best blend their ways with the new guys.

“We told him after game one,” Finch said, “‘You do your thing and we will fit in around you. We need to see you doing your thing and get comfortable with what that is.’ He spent most of the preseason and certainly game one against the Lakers kind of trying to ‘defer, defer.’

“He’s at the point now where he’s going to make the right play 90% of the time. So we trust him. ‘Just do your thing and we’ll figure it out. We’ll play off you and as we go we’ll find an equilibrium.’”


Randle ready to make his mark

Edwards and the others have assured Randle he doesn’t need to worry about stepping on toes stylistically or in ball-centricity. His usage rate so far is 24.3, down from the 29.0 he posted in five Knicks seasons but better than his Lakers years.

Said veteran point guard Mike Conley: “Julius is a great guy to get aggressively downhill as well as Ant. Jayden gets easier looks. Rudy does what he does and I do what I do, but guys just have to continue to play with that aggression.”

Randle has said the right things about Minnesota, generally sounds at peace and is eager to make a sustained postseason run after appearing only twice with New York. Having played 648 regular-season games and 15 playoff games, he wants to improve that ratio and perform a bit better (17.1 ppg, 34.4% shooting) in the postseason.

“I’m a Texas boy, from Dallas, so I’m used to having a lot of space,” he said of Minnesota’s outdoorsy setting. “Just being able to drive places and get your four seasons – it’s fall and it’s beautiful right now. It gets cold, I know, but I’m just used to simplicity.”

As far as providing Edwards with an All-Star sidekick, Randle knows it would be heresy to drop the name Pippen or self-nominate. This Minnesota roster isn’t built like those Bulls teams — no No. 1 and No. 2 surrounded by a capable supporting cast. It’s much more of an ensemble around Edwards, who either will prove he’s ready at age 23 to carry an NBA team to the conference finals and beyond or demonstrate he’s not.

“I’m just here to help him, try to maximize his talent and make the game easier for him,” Randle said. “Because he already do that for me.”

* * *

Steve Aschburner has written about the NBA since 1980. You can e-mail him here, find his archive here and follow him on X.

The views on this page do not necessarily reflect the views of the NBA, its clubs or Warner Bros. Discovery.



Leia Mais

Advertisement
Comentários

Warning: Undefined variable $user_ID in /home/u824415267/domains/acre.com.br/public_html/wp-content/themes/zox-news/comments.php on line 48

You must be logged in to post a comment Login

Comente aqui

ACRE

Ufac participa de lançamento de projeto na Resex Cazumbá-Iracema — Universidade Federal do Acre

PUBLICADO

em

Ufac participa de lançamento de projeto na Resex Cazumbá-Iracema — Universidade Federal do Acre

A Ufac participou do lançamento do projeto Tecendo Teias na Aprendizagem, realizado na reserva extrativista (Resex) Cazumbá-Iracema, em Sena Madureira (AC). O evento ocorreu em 28 de março e reuniu representantes do poder público, comunidade acadêmica e moradores da reserva.

Com uma área de aproximadamente 750 mil hectares e cerca de 500 famílias, a Resex é território de preservação ambiental e de produção de saberes tradicionais. O projeto visa fortalecer a educação e promover a troca de conhecimentos entre universidade e comunidade.

O presidente da reserva, Nenzinho, destacou que a iniciativa contribui para valorizar a educação não apenas no ensino formal, mas também na qualidade da aprendizagem construída a partir das vivências no território. Segundo ele, a proposta reforça o papel da universidade na escuta e no reconhecimento dos saberes locais.

O coordenador do projeto, Rodrigo Perea, sintetizou a relação entre universidade e comunidade. “A floresta ensina, a comunidade ensina, os professores aprendem e a Ufac aprende junto.” 

Também estiveram presentes no lançamento os professores da Ufac, Alexsande Franco, Anderson Mesquita e Tânia Mara; o senador Sérgio Petecão (PSD-AC); o prefeito de Sena Madureira, Gerlen Diniz (PP); e o agente do ICMBio, Aécio Santos.
(Fhagner Silva, estagiário Ascom/Ufac)



Leia Mais: UFAC

Continue lendo

ACRE

Educação Física homenageia Norma Tinoco por pioneirismo na dança — Universidade Federal do Acre

PUBLICADO

em

Educação Física homenageia Norma Tinoco por pioneirismo na dança — Universidade Federal do Acre

 Os professores Jhonatan Gomes Gadelha e Shirley Regina de Almeida Batista, do curso de Educação Física da Ufac, realizaram a mostra de dança NT: Sementes de uma Pioneira, em homenagem à professora aposentada Norma Tinoco, reunindo turmas de bacharelado e licenciatura, escolas de dança e artistas independentes. O evento ocorreu na noite de 25 de março, no Teatro Universitário, campus-sede, visando celebrar a trajetória da homenageada pela inserção e legitimação da dança no curso.

Norma recebeu uma placa comemorativa pelos serviços prestados à universidade. Os alunos do curso, André Albuquerque (bacharelado) e Matheus Cavalcante (licenciatura) fizeram a entrega solene. Segundo os organizadores, os anos de dedicação da professora ao curso e seu pioneirismo jamais serão esquecidos.

“A ideia, que ganhou corpo e emoção ao longo de quatro atos, nasceu do coração de quem viveu de perto a influência da homenageada”, disse Jhonatan Gomes Gadelha, que foi aluno de Norma na graduação. Ele contou que a mostra surgiu de uma entrevista feita com ela por ocasião do trabalho dele de conclusão de curso, em 2015. “As falas, os ensinamentos e as memórias compartilhadas por Norma naquele momento foram resgatadas e transformadas em movimento”, lembrou.

Gadelha explicou que as músicas que embalaram as coreografias autorais foram criadas com o auxílio de inteligência artificial. “Um encontro simbólico entre a tradição plantada pela pioneira e as ferramentas do futuro. O resultado foi uma apresentação carregada de bagagem emocional, autenticidade e reverência à história que se contava no palco.”

Mostra em 4 atos

A professora de Educação Física, Franciely Gomes Gonçalves, também ex-aluna de Norma, foi a mestre de cerimônias e guiou o público por uma narrativa que comparava a trajetória da homenageada ao crescimento de uma árvore: “A Pioneira: A Raiz (ato I), “A Transformadora: O Tronco” (ato II), “O Legado: Os Frutos” (ato III) e “Homenagem Final: O reconhecimento” (ato IV).

O ato I trouxe depoimentos em vídeo e ao vivo, além de coreografias como “Homem com H” (com os 2º períodos de bacharelado e licenciatura) e “K Dance”, que homenageou os anos 1970. O ex-bolsista Kelvin Wesley subiu ao palco para saudar a professora. A escola de dança Adorai também marcou presença com as variações de Letícia e Rayelle Bianca, coreografadas por Caline Teodoro, e o carimbó foi apresentado pelo professor Jhon e pela aluna Kethelen.

O ato II contou com o depoimento ao vivo de Jhon Gomes, ex-aluno que seguiu carreira artística e acadêmica, narrando um momento específico que mudou sua trajetória. Ele também apresentou um solo de dança, seguido por coreografias da turma de licenciatura e uma performance de ginástica acrobática do 4º período.

No ato III foi exibido um vídeo em que os atuais alunos do curso de Educação Física refletiram sobre o que a dança significa em suas formações. As apresentações incluíram o Atelier Escola de Dança com “Entre o que Fica e o que Parte” (Ana Fonseca e Elias Daniel), o Estúdio de Artes Balancé com “Estrelas” (coreografia de Lucas Souza) e a Cia. de Dança Jhon Gomes, com outra versão de “Estrelas”. A escola Adorai retornou com “Sarça Ardente”, coreografada por Lívia Teodoro; os alunos do 2º período de bacharelado encerraram o ato.

No ato IV, após o ministério de dança Plenitude apresentar “Raridade”, música de Anderson Freire, a professora Shirley Regina subiu ao palco para oferecer palavras à homenageada. Em seguida, a mestre de cerimônias convidou Norma Tinoco a entrar em cena. Ao som de “Muda Tudo”, os alunos formaram um círculo ao redor da professora, cantando o refrão em coro.

//www.instagram.com/embed.js



Leia Mais: UFAC

Continue lendo

ACRE

I FÓRUM ESTADUAL "Autismo, Cultura, Mercado de Trabalho e Políticas Públicas no Acre."

PUBLICADO

em

I FÓRUM ESTADUAL "Autismo, Cultura, Mercado de Trabalho e Políticas Públicas no Acre."

09 e 10 de ABRIL
Local: Teatro Universitário da UFAC
11 de ABRIL
Local: Anfiteatro Garibaldi Brasil UFAC

Mais informações

 



Leia Mais: UFAC

Continue lendo

MAIS LIDAS